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Nude (Charis, Santa Monica)
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Nude (Charis, Santa Monica) : ウィキペディア英語版
Nude (Charis, Santa Monica)

''Nude (Charis, Santa Monica)'' is a photograph taken by Edward Weston in 1936. It shows an apparently nude woman with her arms wrapped around her legs while she sits on a blanket in bright sunlight against a darkened doorway. The dynamic balance of the light and dark accentuate the curves and angles of the woman's body; at the same time her face and all but the slightest hint of her pubic area are hidden from view, requiring the viewer to concentrate on her arms, legs, feet and hands. It is an image of a nude that concentrates solely on the forms of the body rather than the sexuality. The model was his muse and assistant, Charis Wilson, whom he married a year later.
==Making the photograph==

The Great Depression years of the early 1930s were hard on Weston, who, in spite of his relative fame, struggled to make ends meet. In early 1935 he closed his studio in Glendale and moved into a house with his three sons Brett, Cole and Kim at 446 Mesa Road in Santa Monica, California. The house was a modest two-bedroom bungalow, with not much personal space for the four of them. Even so, later that year he asked Wilson to join him, and she soon moved in. All five managed to live in the same space for several years.
Weston and Wilson claimed the master bedroom, which included a large sundeck looking westward to the ocean and the sun. It was there that he photographed Wilson, who posed on a wool blanket because the silver-painted deck surface in the sun was too hot against her bare skin. Later she recalled:
:I sat in the bedroom doorway with the room in a shadow behind me. Even then the light was almost overpoweringly bright. When I ducked my head to avoid looking at it, Edward said "Just keep it that way." He was never happy with the shadow on my right arm, and I was never happy with the crooked hair part and the bobby pins. But when I see the picture unexpectedly, I remember most vividly Edward examining the print with a magnifying glass to decide if the few visible pubic hairs would prevent him from shipping it through the mails.
Unlike many of Weston's earlier images, he left no indication of his intentions or feelings about this particular photograph. For many years he had kept an extensive journal about his photography that he called his ''Daybooks'', but he abruptly stopped writing in them two years before this image was taken. Later he wrote "I laughingly blame Ch() for cramping my style as a writer ‒ and there may be some truth in this charge ‒ but the fact is that I have not had much time, nor necessary aloneness for keeping an intimate journal."
Regardless of what he felt at the time, the image has since become one of his most published photographs and one of the icons of 20th century photography.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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